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Villa romana belgien

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villa romana belgien

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In his frequently walk-in installations, Frank addresses issues of symmetry, proportion and mass ratios that influence the perception of space and self-awareness.

Assuming the existence of interstellar intelligent life, how would our thoughts and actions be effected? How would we behave towards these "strangers", how would we welcome them?

How should our "ship" be equipped to receive alien intelligence adequately? In addressing these issues, the participating artists have constructed three walk-in steel frame structures, the interior of each, lined with a cubic fabric cover made of stretched silk-screen.

The cubes, illuminated by night, challenge the senses. The surrounding space disappears, and an equally brightly lit shell, providing a circular view skyward, surrounds the visitor.

This project is being coordinated by Bernd Schulz. Susanne Robra-Bissantz and her project Sandkasten- self-made campus, as well as by sponsor, Helmut Streiff, and the Braunschweigischen Hochschulbund e.

Sound and geometric patterns of light pulsate in unison, setting the house in vibration. This light choreography follows the rhythm of a sound sequence, made up of samples from the themes of horror films, composed by the artist.

Christmas lights adorning a home usually celebrate the lives of the people living inside—their absence however, is all the more striking, instilling an uncanny and sustained feeling of discomfort.

A spectacularly staged mystery, The work is a accessible Tuesday - Sunday, 6: The Soundtracks of the work are available on the local broadcasting Network at the Radio frequency 96,80 MHz.

In his cinematic works, installations and events, the Canadian artist plays with romanticized landscapes and offshoots of the entertainment industry.

Kevin Schmidt lives and works in Vancouver. In this spirit, his work for Braunschweig is a part of an internationally scaled series, with precursors in Miami, Helsinki and Turin, in which the LED-illuminated words are presented in the respective national languages.

Mounted on the portico pillars of the Brunswick Palace, the significant ambivalence of the formulation is accentuated: Alfredo Jaar was born in in Santiago, Chile, where he studied architecture and film directing.

His work has been presented internationally in renowned group and solo exhibitions. In his conceptual, engaging work, Alfredo Jaar addresses sociopolitical themes and hidden collective injustices.

His works in urban settings repeatedly revolve around the question of which strategies can be used to address various social issues and to expose hidden power structures.

Since the artist has lived and worked in New York City. Somewhat out of place, yet shining sovereignly, the beams silently turn on and off to their own rhythmic cycles.

Kai Schiemenz, born in in Erfurt, lives and works in Berlin. In his work Schiemenz is interested in the city, space, architecture and the regulatory functions that all of these have for human beings.

For Lichtparcours, Michael Sailstorfer has designed a two-fold sculpture. The first part consists of a curved lamppost that blends harmoniously into the park setting.

In contrast, directly opposite an over-sized pedestal has been installed, upon which the bronze casting of a cat sits, stoically gazing toward the lantern, exemplifying the original meaning of the title, solar cat.

Combining the familiar with the unexpected, Sailstorfer creates an enigmatic, almost surreal situation. While the cat awakens associations with life, the lantern points toward the field of industrial technology.

Natural and technical elements, removed from their respective reference systems and surprisingly juxtaposed, develop unusual interactions of organism and artifact.

In his artistic practice Sailstorfer works with the inexhaustible pool of existing objects, which he ingeniously modifies and puts together in new functional relationships.

With an instinct for the hidden implications and potential of everyday objects, he coaxes narrative moments from devices and architecture.

Michael Sailstorfer lives and works in Berlin. This illuminated advertisement is taken up with the typography of the neon advertisement on the other side of the road.

Through this gesture of placement, an aesthetic relic from a past decade is revived, and in its doubling, is anchored in the here and now. On the border between art, architecture and design, Rehberger has developed artistic interventions, which often can be considered from a functional point of view.

In his work for public spaces, he is interested in the moment in which the recipient does not yet identify a work of art as such, and in the resulting agitation that arises out of the connection made between the familiar and unfamiliar.

In addition to internationally acclaimed solo and group exhibitions, Rehberger has won the Golden Lion at the Venice Biennale in In a steady pulse, small jets spray fine mists of water, followed by flashes of light.

These galactic centers, or Seyfert Galaxies, named after the astronomer Carl Keenan Seyfert, are surrounded by high-velocity stars, orbiting on irregular pathways.

Nestled in an enclosed park spanning over 7 acres, in the shade of hundred-year-old stone pines, this residence is the ideal place to reflect, discuss, listen Come and experience a taste of the Dolce Vita under our secular majestic pine trees.

Our great family will be delighted to welcome you! Fiori de zucca fritti, abbacchio alla scottadito, saltimbocca alla romana, crostata di ricotta… A real delight for the taste buds!

Fully-equipped meeting rooms 12 meeting rooms for between 5 and people, all fitted with the latest-generation audiovisual equipment and set out based on your objectives, to ensure the success of your meetings.

One sqm circular room with capacity for 60 participants: Time to relax Foster team cohesion and give your participants time to relax using our unusual sports equipment!

Take a dip in the outdoor pool to stay in shape or feel refreshed. We have eight clay tennis courts that can be used for training sessions and team challenges.

And for your other wishes download our suggestions.

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Stoffwerkstatt Uta Sommer Einzigartige Wohnraumkonzepte. Mit unseren Ausstellungen, die wir in einen Indoor- und einen Outdoor-Bereich unterteilt haben, wollen wir Sie inspirieren und animieren, sich Ihre eigene Wohlfühl-Welt zu schaffen. Van Hout partout Auf der Suche nach einem besonderes Möbelstück? Grosch Raumgestaltung Ein Geschäft für ästhetische Inneneinrichtung. Die nächste Auktion beginnt in.

Kai Schiemenz, born in in Erfurt, lives and works in Berlin. In his work Schiemenz is interested in the city, space, architecture and the regulatory functions that all of these have for human beings.

For Lichtparcours, Michael Sailstorfer has designed a two-fold sculpture. The first part consists of a curved lamppost that blends harmoniously into the park setting.

In contrast, directly opposite an over-sized pedestal has been installed, upon which the bronze casting of a cat sits, stoically gazing toward the lantern, exemplifying the original meaning of the title, solar cat.

Combining the familiar with the unexpected, Sailstorfer creates an enigmatic, almost surreal situation. While the cat awakens associations with life, the lantern points toward the field of industrial technology.

Natural and technical elements, removed from their respective reference systems and surprisingly juxtaposed, develop unusual interactions of organism and artifact.

In his artistic practice Sailstorfer works with the inexhaustible pool of existing objects, which he ingeniously modifies and puts together in new functional relationships.

With an instinct for the hidden implications and potential of everyday objects, he coaxes narrative moments from devices and architecture.

Michael Sailstorfer lives and works in Berlin. This illuminated advertisement is taken up with the typography of the neon advertisement on the other side of the road.

Through this gesture of placement, an aesthetic relic from a past decade is revived, and in its doubling, is anchored in the here and now. On the border between art, architecture and design, Rehberger has developed artistic interventions, which often can be considered from a functional point of view.

In his work for public spaces, he is interested in the moment in which the recipient does not yet identify a work of art as such, and in the resulting agitation that arises out of the connection made between the familiar and unfamiliar.

In addition to internationally acclaimed solo and group exhibitions, Rehberger has won the Golden Lion at the Venice Biennale in In a steady pulse, small jets spray fine mists of water, followed by flashes of light.

These galactic centers, or Seyfert Galaxies, named after the astronomer Carl Keenan Seyfert, are surrounded by high-velocity stars, orbiting on irregular pathways.

At its center a Seyfert galaxy has a super-massive black hole from which no light impulses escape. Wood, neon tubes and polyester fabrics are reoccurring materials in his work.

Celestial bodies and molecular structures combine to form fragile structures, which seem to suggest alternative levels of reality and temporal planes.

Through vertical slots, light penetrates into the inside of the room and throws ephemeral patterns onto the walls and floors.

Exterior movements are hereby converted into momentary fields of flickering light and colour, whose appearance and disappearance occur as a direct reaction to the ever-changing outside world.

The experience of the sensual quality of light in an intimate space is intensified by the concentration of just a few rays.

Her works are often site-specific: Artificial light and sunlight are used as space-generating or space-structuring factors.

In their installation for Lichtparcours, Lonneke Gordijn and Ralph Nauta grapple with the architecture and history of an abandoned granary in the port area of Braunschweig-Veltenhof.

The motion of the grain, which was channeled through different levels and cleaned and packed there, is reminiscent of a vertical light sculpture traveling through the building.

This is an adaptation of their work Shylights, which translates the biological principle of opening and closing flowers to a sequence of constantly changing bodies of light.

Here biological processes are interpreted as a form-generating process. The image of the approaching and again receding light sculpture is recorded by a camera and projected onto the exterior of the building.

The interplay of varying distances and perspectives grants an unusual insight into the structure of the granary.

In their frequently award-winning work, they combine formal organic vocabulary with innovative lighting technology. In , they were awarded by the Dutch Gemeentemuseum with the first prize of the ZomerExpo.

Ralph Nauta and Lonneke Gordijn live and work in Amsterdam. Developed in and opened to the public in , Evokation in Rot delineates the bridge passage of the Jasperallee.

The installation, with its flower-shaped red LED light sources nested in the underside of the bridge and their reflections in the water, comprises a tunnel of fiery-red light blossoms.

Born in the Hanoverian artist, Yvonne Goulbier, studied interior design and, between and , completed numerous projects with the sculptor Klaus Goulbier.

After a fellowship at the Villa Massimo in Rome and an Arbeitsstipendium des Kunstfonds Bonn , Goulbier developed a keen interest in light-based works.

With his large-scale bridge construction, the Italian artist Fabrizio Plessi recalls a no-longer existing crossing, leading to the Gieseler Wall.

Inside, the massively worked rusted frame construction has been installed with video screens. Contrasts are made between technology and construction, moving images and static architecture—all coming together in an installation, which merges the here and now of the stream bed with a historical memory.

Early in the s he began to manufacture large-format video installations, regarding the monitors as sculptural giants.

Nestled in an enclosed park spanning over 7 acres, in the shade of hundred-year-old stone pines, this residence is the ideal place to reflect, discuss, listen Come and experience a taste of the Dolce Vita under our secular majestic pine trees.

Our great family will be delighted to welcome you! Fiori de zucca fritti, abbacchio alla scottadito, saltimbocca alla romana, crostata di ricotta… A real delight for the taste buds!

Fully-equipped meeting rooms 12 meeting rooms for between 5 and people, all fitted with the latest-generation audiovisual equipment and set out based on your objectives, to ensure the success of your meetings.

One sqm circular room with capacity for 60 participants: Time to relax Foster team cohesion and give your participants time to relax using our unusual sports equipment!

Take a dip in the outdoor pool to stay in shape or feel refreshed. We have eight clay tennis courts that can be used for training sessions and team challenges.

And for your other wishes download our suggestions.

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